‘Twas the Night before NaNoWriMo . . .

Sunday, October 31, 2010 Posted by SFWriter13 0 comments

nanowrimo_participant_06_100x100Yes, it’s that time of year again—the insanity that strikes right before the even greater chaos and mayhem that are the traditional winter holidays: National Novel Writing Month. 50,000 words in 30 days. Who in their right mind does this?

Since there are many out there who would be more than willing testify under oath that I am often not in a “right mind”, I guess this includes me. So, a preview of this year . . .

Here’s where I am so far:

  • a main character
  • a vague sort of concept for the story
  • a world setting
  • something of a storytelling timeline structure
  • a few ideas for a handful of supporting and other minor characters
  • some half-formed metaphors that underlay the story
  • the lack of a solid plot
  • the lack of a key antagonist

At this moment, I’m very concerned that there isn’t enough here to sustain through 50,000 words. If I can fill in some of the gaps quickly, though, I think it just might work.

As usual, if you care to, you can monitor my progress here. Weekly updates will be posted as always.

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Writing as Work (not as Work Therapy, just Work): Part Two

Saturday, October 23, 2010 Posted by SFWriter13 1 comments

There seems to be a general public perception that writing—or almost any artistic endeavor for that matter—is not work.

I’ve often wondered why this is. Is it because the odds of being “successful” at it seems so remote? It is because people who are not artists do not understand the efforts and skills involved in producing a piece of quality work? Does it stem from a sense of personal jealousy from people unwilling to take the same risks themselves? Or it is because, at some level, it involves a certain level of “make believe”, so it cannot be real work?

For any given detractor, the real answer (or answers) probably might be any one of these, a combination of any of them, or even some reasoning entirely different.

I have found, generally, that almost any attempt at explanation, at describing the process and effort required to produce a creative piece of work (and notice the word choice there—work), tends to be met with skepticism or disdain, rarely with admiration. The attitude often changes if we can produce some sort of proof that we have actually been published or otherwise recognized for our efforts, but there seems to be little regard or consideration while we are in the process of creation. During that time, it feels as though we are treated as a dilettante, a grownup playing at childish things that we should have long put away.

Working at one’s art requires time, commitment, and energy—any or all of which can often be in short supply while we try to keep the mortgage/rent paid, food on the table, our families clothed, and our employers reasonably content. Even those of us fortunate enough to have among our circles of acquaintances other artists who understand, the wider chorus of voices around us provide little support for our creative endeavors. Most often, some kind of lip service is offered up, but in the end it rarely takes the form of anything tangible or material.

What is the answer, I wonder? How do we get our society to respect and truly support its artists? By this, I mean the ones struggle to make it happen, not the ones who walk the red carpets at the Academy Awards (and other) ceremonies who are publically and financially well-rewarded for their efforts. (I do not mean to imply that they are not worthy as well, but I have wondered how many artwork exhibits or small press publishers might be funded by the cost of the clothing worn to those events alone.)

Is it that what the public wants is glitz and glamour? That the hard-working writer who dutifully and expertly writes their page or two a day, gets published in a few thousand copies, is simply not interesting enough because they lack a good publicity agent? That if you’re not on Oprah or publically placed in rehab or involved in some vaguely notorious scandal, you’re not worthy of the title of “successful artist”?

It’s a strange and baffling world out there . . . Maybe it is really is as they say: Truth is stranger than fiction.

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I Have the Right to Write

Sunday, October 10, 2010 Posted by SFWriter13 0 comments

41qNNh8NReL._SS500_Let me begin by expressing my gratitude where rightfully due: to Laureen for (strongly) recommending this book, and to Holly for loaning me a copy until I could get home to purchase my own.

I’ve needed a good, swift kick in the proverbial pants, writing-wise, of late. My inner editor has been screaming loud and long. And, when she hasn’t been screaming, she’s taken to whispering vague (but still demoralizing) bits of criticism in my mind’s ear. (One of these days I really need to figure out whether my muse and inner editor are related, hero and arch-villain, or two disparate personalities within the same being. But that’s a discovery to pursue at a later time.)

This little book was exactly what I needed, when I needed it. (Yeah, yeah, I can see you nodding smugly over there…) I was so moved by what I found within its pages that, while reading it during a recent plane flight, I actually dug my notebook out of my onboard luggage and completed the first three exercises and nearly all of the fourth.

Let me say this about the book so far. The chapters are short, the writing personable and personal—and to the point, and the lessons based on experience are dead-on. This one definitely looks like a keeper, and one that I will likely return to whenever the muse and editor are deadlocked.

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